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Between and Mortarboard

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6 UMMA Objects
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A drawing of building and its round towers. <br /><br /> Eva Caston 2017
Warren Lombard (American (North American))
'Rothenburg Sketches' (and Nuremberg) II. Nuremberg
1889
Gift of Prof. and Mrs. Alfred H. White
1940.316
Oval-shaped piece of veined, green Swedish marble standing on one of its narrow ends. Three holes of different sizes penetrate into the object's center. The holes are painted in a semi-gloss black and matte white.
Dame Barbara Hepworth (British (modern))
Sphere with Colour (Grey and White)
1965
Museum Purchase
1967/1.43
This is a tondo painting with a circular frame that is painted in tones of violet. It is a still-life scene that shows a lamp, resting on a table, set against a green wall. On the wall behind the lamp is a painting, but only the lower right-hand corner is visible due to the sharp curve of the circular format of the painting. On the table, beside the lamp, is a piece of paper and an ink well in the shape of a human figure. The base of the lamp has a curvilinear profile and the pleated shade is painted in bright colors of orange, pink, green and yellow. Both the scene and the frame are painted with short, dot-like brushstrokes.
Albert Dubois-Pillet (French (culture or style))
Under the Lamp (Sous la Lampe)
1883 – 1893
Museum purchase made possible by a gift from Helmut Stern
1988/1.140
Jar with a round base, short neck and flaring mouth. Fabric imprints and gently indented lines stretch across the round body of the jar.<br /> <br /> This is a blue-gray, round-bottomed, high-fired stoneware jar with a short neck. Its neck curves outwards towards a widely flared mouth. The edge of the rim is slightly round, and the inner surface of the mouth is flattened. The inner and outer surfaces of the neck show traces of rotation and water smoothing. The body is widest at its upper-middle section, while its surface has been decorated with shallow horizontal lines after the rendering of a dense lattice design. The upper part of the vessel shows traces of an erased paddled pattern, and there are cracks on the inside of the base.<br /> [Korean Collection, University of Michigan Museum of Art (2017) p. 46]<br /> <br /> &nbsp;
Korean (Korean (culture or style))
Round-Bottomed Jar
200 – 399
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.163
This is a blue glass inkwell with a copper lid. The body has a flattened globe shape and the lid is dark brown in color.<br />
Artist Unknown
Opaque blue inkwell, rounded shaped copper lid
1875 – 1975
Gift in loving memory of Donald Maxwell Robiner from his family
2010/1.231
This reddish brown earthenware jar has a globular body and long, widely flared neck. The below surface of the body is adorned with beaten parallel line.<br /> <br /> This is a gray-brown, long-necked, high-fired stoneware jar with a round bottom. Its neck extends up in a straight line before flaring out suddenly near the rim, the edge of which is slightly concave. The body is globular and widest at its middle. Below this part of the vessel are decorations consisting of vertical paddled patterns that are parallel or superimposed. It is likely that the paddled pattern was also applied to the upper and middle parts of the vessel body, but was later erased during the rotation and water smoothing process. The inner surface of the body shows traces of rotation and water smoothing, along with fingerprint marks made in a vertical direction.<br /> [Korean Collection, University of Michigan Museum of Art (2017) p. 46]<br /> &nbsp;
Korean (Korean (culture or style))
Round-bottomed storage jar with rolled, uneven rim
5th century
Gift of Bruce and Inta Hasenkamp and Museum purchase made possible by Elder and Mrs. Sang-Yong Nam
2004/1.162
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